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About

"As a child I spent countless hours dedicated to my dolls houses, re-enacting my daily occurrences, manipulating the scenes to mimic life. My work is a doorway to my past, a place where I can control the domestic once again. Thematically the ‘garden’, as an extension to the home, features prominent but I am increasingly migrating towards larger more complete worlds in miniature, loaded with sentiment.

As we grow, instead of creatively tackling the unknown, we draw on what experience has taught. Through sculpting everyday objects in miniature I represent something usual, but due to the scale a gap is formed between the encounter and predetermined expectation, which knowledge and experience has instilled. A moment of creative space opens where imagination and memory work together, rather than at odds. The viewer is encouraged to not only imagine but to reminisce evoking a safe and comforting sense of nostalgia.

Balsa wood is an integral structural element, as it allows me to create representational sculptures without planning. Instead, I use memories of items, creating the miniature organically. The pieces then have a remembered quality, exaggerated in places, resulting in imperfections. These imperfections in turn trigger the gaps, the moments where imagination is sparked and memory can reside."

- Dominique, On her Artwork.

BIO

Dominque Phizacklea was born in the market town of Melton Mowbray, nestled in the heart of the east midlands. She attended Loughborough College for a BTEC in art and design, for which she achieved the grade of D*D*D*.  From here she unrooted from Melton Mowbray, where she had lived her life in and around up until this point, and settled in Nottingham. Currently she is working towards a degree in Fine art at Trent and works in the community sector for Nottingham Contemporary. She is an avid collector of miniature furniture, still keeps a piggy bank and has a ‘TV watching’ face.

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